Flannery O’Connor
“Everywhere I go I’m asked if I think the university stifles writers. My opinion is that they don’t stifle enough of them. There’s many a best-seller that could have been prevented by a good teacher.”
Flannery O’Connor
“When we look at a good deal of serious modern fiction, and particularly Southern fiction, we find this quality about it that is generally described, in a pejorative sense, as grotesque. Of course, I have found that anything that comes out of the South is going to be called grotesque by the Northern reader, unless it is grotesque, in which case it is going to be called realistic. … Whenever I’m asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one.”
Flannery O’Connor
“I’m going to stop writing the parts that people skim.”
James Patterson
“I don’t think people read poetry because they’re interested in the poet. I think they’re read poetry because they’re interested in themselves.”
Billy Collins
“I have no work habits whatsoever. I don’t write every day, so often it would be zero hours per day. I kind of hold onto a romantic view. People say in order to be a writer you have to write all the time. The poem will come along when it arrives. I try to be on the lookout for creative opportunities, something that might trigger a poem, but I don’t sit down in the morning and try to commit an act of literature before lunch.”
Billy Collins
“About the most originality that any writer can hope to achieve honestly is to steal with good judgment.”
Josh Billings
“I think a good novel can be a doorstop to despair. I also think the real bravery comes with those who prepared to go through that door and look at the world in all its grime and torment, and still find something of value, no matter how small.”
Colum McCann